By the given brief had to write an article about Wolverhampton and the Black Country of minimum of 250 words and to design page layout related to the subject.
It took me ages to figure the subject what I would like to deliver and at the beginning was struggling with that and made a mistake by starting to design layout without the title.
Eventually I decided to write body of text about general stuff of Wolverhampton which was symbolically called "Experience Wolverhampton"
After I've done some research for inspiration I have come with this layout design. In this work I decided to use an image to complete my intended design and make it even more relevant to the subject. The idea was to have silhouette of Wolverhampton's skyline.
Based on my thumbnail produced this digital version, which did not turn out to be very successful and had to be improved. Got here a salad of typefaces, no aliments and bad composition.
After taking everything on board I started to work on design and composition and came up with some interesting ideas. I completely redesign main body text replacing randomly positioned columns around a quote with two nicely balance little columns, moving the quote away and aligning it with 'hampton'.
Also positioning 'p' and 'h' so that the are joining the big 'W'
4VC004 Experimental Typograpy
Sunday, 11 December 2011
Horizon II
Have been working and improving one of my double page spreads. In the previous post I posted a rough test piece of it, which must have been improved.
Particularly had some issues with choosing relevant type face for the article and the most difficult part for me was to decide where to position the introduction copy :D
For the main body text I selected light Helvetica type face and in the first draft for the sub-headings was used another typeface which now is forgotten because was advised to use not more that two different typefaces, otherwise it would be just a salad :D So for the main heading as well as for sub-headings it was decided to use Didot type face which became one of my favorites.
In terms of layout design I did not want to use any images so instead I tried to use type as image, think these massive 'hello', ampersand and 'welcome' look quite balanced. I arranged them more to the left hand side so that the main body text would not be all over the place.
In this design I tried, with some difficulties, to align everything as much as possible. Such us introduction is aligning with the top of the 'L' and first two columns of body text with the top of 'W' and 'l' and so on...
Particularly had some issues with choosing relevant type face for the article and the most difficult part for me was to decide where to position the introduction copy :D
For the main body text I selected light Helvetica type face and in the first draft for the sub-headings was used another typeface which now is forgotten because was advised to use not more that two different typefaces, otherwise it would be just a salad :D So for the main heading as well as for sub-headings it was decided to use Didot type face which became one of my favorites.
In terms of layout design I did not want to use any images so instead I tried to use type as image, think these massive 'hello', ampersand and 'welcome' look quite balanced. I arranged them more to the left hand side so that the main body text would not be all over the place.
In this design I tried, with some difficulties, to align everything as much as possible. Such us introduction is aligning with the top of the 'L' and first two columns of body text with the top of 'W' and 'l' and so on...
Thursday, 24 November 2011
Horizon
Working within supplied design guidelines I have to design and introductory section and cover to complete my zine.
Here is on of those less unsuccessful thumbnails that I decided t take further and produce a digital version of it.
Here is on of those less unsuccessful thumbnails that I decided t take further and produce a digital version of it.
Here I tried to manipulate with heading 'Hello and Welcome'
The idea was to position the ampersand behind 'welcome' in a way so that the top curve would align with 'hello' and the curve would replace 'O'. However when I started to do that in In-design it did not look as good as on the thumbnail. It turned out to be 'hell and welcome'.
So I added that poor 'O' but it still didn't look balanced so I decided to put it in an angle so that it matches the angle of that curve and doesn't really stand out of the overall composition.
(cover is still to come)
"À bout de souffle" (Breathlesss) by Jean-Luc Godard 1960
Seated in an uncomfortable seat spent an hour of my life watching a masterpiece, one of the great movies ever made. Did not know what to expect because have never seen a movie of Jean-Luc Godard and thought that I’ll give it a shot only because it was directed by one of the most influential directors of ALL-TIME even though I am not a great fan of that era.
To be honest I found the film monotonous, unentertaining and boring, but it still is one of the greatest movies. I think being black and white and dull story line in the film left me emotion-less, I understand the intrigue, particularly if you were alive and young when this film was showing for the first time in the cinema but it didn’t hit me the way it did others. However I can appreciate how it influenced and affected everybody down the generations and it still was directed by one of the greatest of all time. I like movies when after watching you have to get yourself thinking and constantly get back to it and rethink over again and "Breathless" was not one of them, but it still is one of the greatest movies ever made.
Wednesday, 2 November 2011
Tuesday, 1 November 2011
Clever Typography
Researching about typography have come across some very interesting pieces for some might be design inspiration. There are gathered 40 Creative Typography Logos created by talented designers. Those logos include wordmark and lettermark logo designs as well as some pictorial logos that have used typography innovatively.
It shows how the clever use of typography and characters can be when used in conjunction with white, negative, positive spacing, colors and accents to create a logo that effectively communicates to the world your business’ personality, identity, essence and individuality.
http://speckyboy.com/2011/05/11/40-creative-logos-with-clever-typography/
Some of my favorites:
It shows how the clever use of typography and characters can be when used in conjunction with white, negative, positive spacing, colors and accents to create a logo that effectively communicates to the world your business’ personality, identity, essence and individuality.
http://speckyboy.com/2011/05/11/40-creative-logos-with-clever-typography/
Some of my favorites:
ANT
3EE
BLANK
DOWNTOWN
SEVEN SPARROWS
LOOK
UP
Moscow Pin Map
Continuing cartography subject.....
My interest in maps stems from a love of landscape. I've always enjoyed crowds and events that bring people together. For me maps are interesting for many different reasons; they can be interesting just to look at, to study and understand or learn things, to collect or create oneself and each of those has parts which are interesting on their own
Inspired by the inherent beauty and simplicity of lines and forms that arise from natural topography and build environment. And as a native Russian speaker and lover of maps and big cities I have produced my own version of Moscow's map.
Materials: Panel pins and cotton thread.
Size: A0
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